The work of Portishead co-founder the musician-producer, this scabrous though slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Poacher denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish theaters from November 17.
